Didget is a new Bayer product that will certainly please children affected with diabetes.
It is a glucose tester that you can connect to a Nintendo DS system through the GBA port (sadly, this won’t be DSi compatible).
The results of the test are stored in the game cart and serve as data to unlock new object in the game and to get achievements.
Didget is one of thos little devices that, though not trevolutionary in themselves, could effectively show how games are able to enact positive behaviours and influence the everyday life.
Dave Harrelson and Alexa Andrzejewski are working on an iPhone application for the website Smart.Fm, a Japanese language learning website.
In a few posts, they are telling how they’re working on the project; last one is really interesting.
First of all they started with the right approach: thinking about the iPhone as a platform and working with in mind its strengths and limitations. Alexa says:
The smart.fm iPhone app should not be a pared down version of the smart.fm website — a path that thinking of it as a “mobile version” might lead us down. Instead, we want the iPhone app to complement the website — not replicate or miniaturize it — and to support the larger experience of learning anytime and anywhere.
Now, what I find fascinating is how they build up a visual language that in a simple yet effective way shows the user achievements. The visualization of achievements and progress, in itself, is an important part of playful design. The use of leaves that become flowers adds up exquisite color and a good sense of wonder in the mastering of learning.
Here are some images of the good work:
Debora Serracchiani is one of the new faces of italian politics. After a passionate speech at the Italian democratic party congress a few month ago, she played the outsider at the European elections and won in her district with an impressive number of preferences. But politics are not the topic of this space.
The thing is, Debora has put up a pretty interesting website. The credits say that it was developed during a workshop held by IED (the European Design Institute).
IED students were great in delivering a fresh website, very far in concept from the dull political websites which are often house for even duller press releases and leave a narrow space for conversation.
Casa Serracchiani is built like a tour of Debora’s house. Each room is a metaphor for a different politic perspective; for example, in the bedroom Debora collects, in form of a tagcloud, all the dreams of her supporters; in the studio she explains her politic program and in the bathroom she collects messages from her fans.
A special mention for the kitchen: here Debora presents some funny recipes which are a quite playful way to point out some issues of the country, as in the “green economy salad”, where she takes a strong position for renewable and clean energy.
This site is a perfect example on how a good playful design can be applied even to serious sites. The explorative metaphor and the sense of surprise that the user get in how the topics are presented help to maintain the attention high, and the messages, short but striking, stick in the visitor’s mind.
Kudos to the team, this is a great job.
Now that’s interesting.
Foursquare is a geo-based social network, in which you can track your friends and invite them for a drink if they’re near and stuff like that.
But you can earn badges for different actions you make, for places you explore and so on. Dennis Crowley, the mind behind Foursquare, said to the New York Times that inspiration for the game came from the exploring joy you can experiment in The Legend of Zelda game series.
You explore places, you find objects, you learn and enjoy it.
Kudos.
Too bad it’s limited to few American cities. Can’t wait to see it in old Europe.
First of all, let me apologize for having pretty much abandoned this place. I was out in San Francisco looking for new ideas, I played a game with Jane McGonigal, I met the guys of Playtime Antiboredom Society and all in all I had a great time. But, enough with personal statements.
I just discovered that finance managing service Mint is trying to make saving money more fun by implementing game-like features in the platform. That could really be a nice example of playful design, and it’s more important as it is applied to a very serious software. Raph Koster have some thought about the idea, and an interesting insight about Ultima Online status-symbols.
Unfortunately the new features are for now in private beta (and I cannot try them anyway, as Mint doesn’t support Italian banks) so if someone is trying it, I would be happy to hear comments about that.
Joe Lamantia summarizes his talk at the Italian IA summit.
He worked as a consultant for the website of the PS3 game Killzone 2. And he discovered how much games and social media have in common.
From the functional to the psychological, it seems there really is an ‘architecture of fun’ for both games and social experiences. It is just another example of how architecture of any (and all) kinds is an enormous influencing factor on peoples’ experiences.
Some of the insigths on the slideshow come directly from Nicole Lazzaro’s job at Xeodesign, and are extremely useful when connected with concepts like flow and the magic circle.
I’m waiting to embed the talk here, since Joe promised a complete slidecast.
This new article by Christina Wodtke on A List Apart gives a sneak peek into the second edition of Information Architecture: blueprints for the web.
I found it extremely interesting, and I started making parallels with the concepts of playful design. Take for example point 1, which comes straight from an architecture paper:
Conflict: Children love to be in tiny, cave-like places.
Resolution: Wherever children play, around the house, in the neighborhood, in schools, make small “caves” for them. Tuck these caves away in natural leftover spaces, under stairs, under kitchen counters. Keep the ceiling heights low—2 feet 6 inches to 4 feet—and the entrance tiny.
Which is making me think about safe places in games. They could be the save point in a survival horror game, or just safe zones in a metaphorical sense (think about the chosen word to stop the game in hide-and-seek).
The concept of a safe place (a way to temporary escape the magic circle, if you want to put it formally) is extremely important in a game, because it can provide rhythm in the developing of the action.
It’s nice to see how all those elements connect, intersect and combine themselves.
